Book binding

     This isn't the first time I've done notebooks from scratch, but it has been a long time since I did any craft involving paper and since I've learned a few things while doing this, I decided to share. Last month I came across a bunch of paper bags (the big, brown ones used in grocery stores) and decided to recycle them into a notebook:

     The pages were made from the bags as well as the paper for the covers and spine.  I used cardboard from cereal boxes for the (not so hard) covers and lined them with more paper bags.

     It's been a long time since I've made one of those, so I checked Pinterest for tutorials on binding.  I mixed and matched different techniques to sew the signatures together and then used gauze (yep, the stuff used for wounds) to glue to the spine.

     I then cut the card board to size (kinda) and worked on the final look of the cover.  For the lining, I crumpled another piece of the bag (where the logo was) a few times, until the paper felt like fabric.  I then smoothed it out a bit with my hands and rubbed a stamp pad over it.
     It ended up being too dark for my liking, so I painted it over with some crackle paint I had laying around.

What I've learned:

     It took me forever to cut the bag into pages and making the holes to sew them together.  Next time, I'll make a template for both the pages and to figure out where the holes should go.
     Joel likes the fancy kind of cereal (you know the ones with whole grains and whatnot?) and those come in boxes made out of recycled material.  Meaning the cardboard is less sturdy than it needs to be to make a decent hard cover.  Next time I'll glue two pieces together for each cover.
     I need to be more patient.  Gluing more stuff before the stuff you glued prior is dry isn't a good idea - as seen here:

   
     This is a photo of the second notebook I've made (because it was fun!).  This one has pages done out of what we think is rice paper that isn't good for folding.  The lining on the covers is made from crumpled gold tissue paper.

     You can see that the covers are warping a bit, that is due to the thickness (or better, the lack thereof) of the cardboard I used.

Painting paper - part two

People who follow me on Pinterest might be wondering why I pin so many kids' activities, since I don't have children.  The answer is simple, many times kids' activities work well for spicing up the papers that J folds.

He mainly uses elephant hide, which is a kind of paper used in book binding - very durable and pliable, but only come in a few colors, most of them very boring (some, downright ugly).
I'm always on the look out for techniques I can adapt to make the papers more interesting.

Now, with no further ado, let's talk about this other technique I found - marble paper using the suminagashi technique.  This one I didn't actually pin when I first saw it, as I didn't have the materials and thought I wouldn't be able to try it without buying the proper kit.

Since I had a whole weekend to fill up (and didn't really want to do anything else), after trying my hand at the bubble technique, I thought I'd try some of the suminagashi too.

The image on the right is the enhanced version of what I actually got.  I posted it here to show that the technique really works, albeit, in my case the colors were very light.

I knew that the technique relies on surface tension, I just didn't know how to make it work - i.e. make the paint particles remain suspended on top of the water until I put the paper on top of it.

I put some water (maybe a finger or so deep) in a cake pan - note to self, next time use a light colored container - and using brushes, placed a few drops of the same concoction I had used for the bubble experiment in the water.  It was a no-go.  The paint sunk to the bottom (why I expected it to float is beyond me.  Soap breaks down surface tension...).

Because I'm stubborn, impatient and cheap, I decided to try again, this time using a flowing medium I'd bought some time ago, for something I don't remember anymore.
This time, to my surprise it did work.  I could see the colors spreading on the surface, so I proceeded to do the "printing".

The image on the left shows the true colors.  I think the reason I got such faint colors has to do with the amount of pigment in the paints I used.
I'll get some watercolors in both tubes and pans next time I got to the craft store in town and see if those work better.  The idea is that with those I can add as much pigment I need, which would yield better results when doing the marble paper.

I consider this experiment to be successful because I did get the result I was hoping, despite the fact that the colors are washed out.

Painting paper

I've seen a few painting techniques on Pinterest that I wanted to try.  Last weekend I finally had a change to do so, here is what I got.

Bubble painting

I started out with instructions from this blog, but soon found out that I had to tweak the process a little bit.  Instead of pressing the paper over the bubbles, like the original instructions, I made enough bubbles and scooped them to the paper using a spoon.

I didn't have any tempera, so I used some acrylics I had.  I got very faint colors in the beginning and it might be due to the viscosity of the paints I used.  Scooping the bubble onto the paper seemed to solve some of the problem I initially had with intensity of color.
It's a fun technique and a great, inexpensive way to get one of a kind papers from those "what was I thinking" papers we all have around the house.

This one was the first one I tried.  I started with white paper and used the three primary colors using the "stamping" method ( pressing the paper against the bubbles).  After doing the second paper (next picture), I went back to this one, using black and then the primary colors again - this time scooping - before the black bubbles bursted, so the colors blended a little bit.

Second try.  Green and black over a light (I think it was beige) background.
The bubbles were placed over the paper with the help of a spoon.  J and I were working together and the result is that some of the impressions left by the
bubbles have both colors - quite interesting effect.

On this last experiment, I used black paper. Initially I was going to use only white paint, but it was very, very faint, so I went back to my basic palette too. By the time I was doing this one I realized that the paint slides from the bubble (duh!) very fast, so to get the result shown in the photo, I worked fast.